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Places of interest in W5

30 St Mary Axe

After English Heritage later discovered the damage was far more severe than previously thought, they stopped insisting on full restoration, albeit over the objections of the architectural conservationists who favoured reconstruction.[8] Baltic Exchange sold the land to Trafalgar House in 1995.[9] Most of the remaining structures on the site were then carefully dismantled, the interior of Exchange Hall and the façade were preserved, hoping for a reconstruction of the building in the future.[9]

Fenchurch Street railway station

The station was the first to be constructed inside the City; the original station was designed by William Tite and was opened on 20 July 1841[6] for the London and Blackwall Railway (L&BR), replacing a nearby terminus at Minories that had opened in July 1840. The station was rebuilt in 1854, following a design by George Berkeley, adding a vaulted roof and the main facade. The station became the London terminus of the London, Tilbury and Southend Railway (LT&SR) in 1858; additionally, from 1850 until the opening of Broad Street station in 1865 it was also the City terminus of the North London Railway. The Great Eastern Railway (GER) also used the station as an alternative to an increasingly overcrowded Liverpool Street station for the last part of the 19th and first half of the 20th century over the routes of the former Eastern Counties Railway.[7] The L&BR effectively closed in 1926 after the cessation of passenger services east of Stepney. When the former Eastern Counties lines transferred to the Central line in 1948 the LT&SR became the sole user of the station.

St Mary Axe

St Mary Axe was a medieval parish in London whose name survives on the street it formerly occupied, St Mary Axe. The church itself was demolished in 1561 and its parish united with that of St Andrew Undershaft, which is on the corner of St Mary Axe and Leadenhall Street. The name derives from the combination of the church dedicated to the Virgin Mary and a neighbouring tavern, which prominently displayed a sign with an axe image.

Victoria Miro Gallery

In September 2002, the gallery was one of the eighteen cutting-edge, art galleries with international reputations to be selected for The Galleries Show at the Royal Academy, an exhibition curated by Norman Rosenthal and Max Wigram to highlight the role played by galleries in an artist's creative progress, as well as putting work on sale and re-aligning the Academy with a greater involvement in current art.[2]